IVONNE BELLO
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IVONNE BELLO
Dancer, performer, teacher. ​ Master's Degree in Contemporary Dance Interpreter from the Universidad Experimetal de las Artes de Venezuela, dance department. Three-year Professional Dance Training diploma obtained at the DanceHaus Academy / Teatro Franco Parenti in Milan. He studied with important masters release technique, improvisation, Graham technique, Limon technique, Cunningham technique, Fly Low, Dance - Theater, Contact Improvisation and Forsythe technique at SNDO in Amsterdam, Center National de la Danse in Paris, Teatro Franco Parenti in Milan, Triennale di Milano, Civica Scuola di Teatro Paolo Grassi in Milan, Marameo in Berlin, TanzFabrik in Berlin. ​ She works in the field of contemporary dance, dance-theatre, improvisation and multidisciplinary artistic research, collaborating with national and international companies.
creative works
I like working on research projects and choreographic creation of contemporary dance, improvisation and live performance in collaboration with sound designers, visual artists, dancers, movers based on reflections on the relationship between time-space-sound, matter and dexterity
SCHEMA
SCHEMA
Schema is a choreographic and audiovisual research project whose theme of reflection is the connections between female manual work and body movement, the passage of time and the space of action. Explore the translation of the patterns underlying these moving body works. The weaving of the baskets, the weaving on the loom become a terrain for choreographic exploration. The work winds through different choreographic frameworks through which the research theme is developed. They are thus elaborated and transformed in motion, in a continuous game of references and interactions between video and live performances, music, voices and sounds of the work.
LINE
LINE
Line.. is a performative work for dance and electronic music where you work on time, space and sound through improvisation games in which the musician enjoys being part of the performative action and dancer of that sonorous sound scene. It all starts with a line, a line of sand drawn with patience, creating a plane, a space, but also a limit. A border where the performer moves following that limitation, all accompanied by a linear sound design that starts from very primordial noise sounds up to a soft almost harmonic sound with ambient nuances. Just like sound, the dancer evolves her performance by acquiring more and more awareness of the space that limits her and also control, increasingly assuming her independence. Up to becoming the creator of the sonic loops herself.
Effimero
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Effimero
Improvisation performance based on listening to space and its architecture. Explore solitude by going through imaginary situations between silence and music.
DIDACTICS
she is dedicated to teaching contemporary dance for children and adults, teaching contemporary dance techniques, contact improvisation, holding courses and workshops designed for theater and dance groups
about me
Between Venezuela and Europe she has worked with various companies and collectives of contemporary dance, dance-theatre, modern dance and improvisation including: Colectif Ecole Sauvage by Sabine Jamet (Paris), 100% Impro (Caracas -Venezuela), Compania Nacional de Danza de Venezuela, A.I.E.P dance and technology company of Ariella Vidach (Milan), Laura Moro Company (Bassano del Grappa), TAKLA Improving Group of Cristina Negro (Milan), Incidance Dance Company (Arles- France), Dagipoli Dance Company (Athens) , Ballet of Sardinia, Sicilian Dance Company, Collective dance "Gli Errante" Teatro T.Off Cagliari, Company Without Leather Borders (Turin- Alghero)
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"¿Qué serÃa la vida si no tuviéramos el valor de intentar cosas nuevas?"
